Barum Ware

It later became part of the “rustic” wing of the art pottery movement. This was their “bread and butter” trade, although one of their decorative jugs secured a medal at the Great Exhibition in In Thomas’s son, Charles Hubert Brannam, left school at age 12 to start work at the pottery. Charles won a prize for art at school and also won the Queen’s Prize for Drawing in In he persuaded his father to allow him to produce art ware. His father agreed on the proviso that Charles paid for the materials he used. Charles eventually took over the Litchdon Street pottery and further developed the art pottery department, utilising the ” sgraffito ” technique of scratching into a covering of ” slip ” to show the clay beneath.

Brannam my family name

Beaker of tapering, straight-sided form, the brown pottery covered with a pale slip through which, on the exterior, a design is incised comprising three ovals containing flowers and acorns, the lower border with a chevron pattern, the upper with a band of rosettes. Cup ‘Barum Ware’ made by C. Please confirm you are using these images within the following terms and conditions , by acknowledging each of the following key points:.

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This is a guaranteed CH Brannam Barum ware Toby Jug, There is one on the web CH BRANNAM BARUM BLUE ART POTTERY TOBY JUG No DATING.

Thomas Brannam started on his own, after having worked for some years as a potter, in Barnstaple, Devon, in The company originally made utility wares such as floor tiles and sewage pipes. The name most usually associated with Brannam is that of Charles Hubert Brannam, Thomas’s son, born Charles started work at the pottery at the age of twelve.

He was artistically inclined, and after many years trying, managed to persuade his father, in , to let him experiment with the production of art pottery at their Litchdon Street works. In the following decade a London outlet was found for the wares, which were known as Royal Barum Ware, and the company soon established an enviable reputation. It is true to say that they were patronised by the crowned heads of Europe, and that included Queen Victoria.

Fine wares continued to be produced well into the twentieth century, but after C H Brannam’s death in the emphasis moved away from art pottery back towards plainer domestic wares. Brannam pottery is widely collected and due to the company’s long life – they are still producing pottery today – something can be found to suit every collector’s pocket. Many marks have been used over the years, mostly using combinations of ‘C H Brannam’, ‘Castle’, ‘Barum’ and ‘Barnstaple’.

Brannam pottery

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This charming small Brannam jardiniere or cache-pot is made in the typical style of the Devon pottery which supplied Liberty’s of London at this time, and it.

A Mintons Ltd Art Nouveau vase, c. Brannam twin section pottery vase, by James Dewdney, c. Brannam, Barum pottery jug and matching beaker, by James Dewdney, c. A Victorian painted pottery wall plaque, in the manner of Doulton Burslem, 12 x 7in. Donald Gilbert for Ashtead Potters. Four Art Deco Jungle Book figures, 5. A French blue glass and gilt brass mounted lamp base, late 19th century, Lot A Royal Doulton Nelson pottery twin handled loving cup, Lot A Royal Copenhagen group of a kneeling faun with parrot, 7in.

the saleroom

Charles Hubert Brannam was an extraordinary potter and entrepreneur. Born in , at the age of 24 he took over a pottery in Litchdon Street, Barnstaple from his father, Thomas Brannam and devoted it to the production of ‘art pottery’. He was a superb thrower and a highly imaginative designer, but as the business expanded he employed other throwers, designers, and decorators.

Unboxed Earthenware Brannam/Barnstaple Decorative Pottery | eBay CHARLES BRANNAM SLIP DESIGN BIRD & FROG VASE DATED Antiques For.

A William Baron Barnstaple Pottery suffragette bell in the form of a humorous woman in cloak and bonnet with mottled mauve and blue glazed finish, inscribed “The perfect woman speaks only when tolled”, with incised mark to the reverse Baron, Barnstaple , 11 cm tall approx displayed in cabinet adjacent Estimate: An Alexander Lauder Barum Pottery vase of ovoid form with drawn neck, with green, brown and ochre incised and moulded decoration of various woodland birds amongst foliage and berries beneath a brown glazed drawn neck and with incised mark to the base Lauder, Barum and incised date 10 1 , 24 cm tall approx Estimate: A William Baron Barnstaple Pottery Toby Jug with orange coloured uranium glazed finish, incised mark to the base Baron, Barnstaple , 14 cm tall approx Estimate: A C H Brannam Barum Pottery vase of oval form with drawn neck and pinched rim, with alternating stylised floral panels and crosses in tones of blue, cream, ochre and brown and with incised mark to the base C H Brannam, Barum, J Dewdney and numbered and dated ?

A C H Brannam Pottery model of a large humorous cat wearing a wide bow tie with green and blue glazed finish and yellow glass eyes, with incised mark to the base C H Brannam, numbers , 31 cm tall approx Estimate: A C H Brannam Pottery two handled vase of tapering form with flared neck and with grotesque dragon handles, with painted and incised stylised feather flower and fish decoration in green, brown, ochre and blue and with incised mark to the base Brannam, Barum and dated with initials FB for Frederick Braddon, 22 cm tall approx Estimate: A C H Brannam Pottery jug in the form of a grebe with head down and with all over amber coloured glaze, with impressed C H Brannam mark to the base, 20 cm tall approx Estimate: A Torquay ware Lemon and Crute tall vase of tapering form with flared neck and two asymmetrical handles with painted butterfly and iris decoration on a mottled purple ground with impressed Lemon and Crute mark to the base, 35 cm tall approx Estimate: A C H Brannam Barum ware wall pocket in the form of a butterfly with outstretched wings with mottled blue, cream, dark green and brown glaze and with incised mark to the base C H Brannam, Barum and dated , 18 cm long approx Estimate:

Brannam Pottery

AN impressive collection of period pottery made in Barnstaple is going up for auction in Gloucestershire next week. Brannam, which started life in potteries in North Walk and Litchdon Street in , moved to a new factory in Roundswell in but ceased production in Looking for a job? We have a wide selection of jobs in all sectors and make it easy to apply to vacancies. Find a car, bike or commercial vehicle.

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of Litchdon Pottery, Litchdon Street, Barnstaple, (North) Devon. Telephone: Barnstaple Thomas Backway Brannam started business.

There are lots that match your search criteria. Subscribe now to get instant access to the full price guide service. Some repairs and damages. A pair of Charles Brannam Barum vases, dated , shouldered, flaring cylindrical form, incised and slip decorated with a peacock walking before stylised flowers and foliage, in shades of green, brown and blue impressed and incised factory marks, A Bretby jardiniere, Brannam Barnstaple glazed Vase, Sylvac shell flower trough, decorative plates, etc.

A mixed group of ceramics, to include a Brannam pottery vase, 14cm high; and a Carlton ware ‘Rouge Royale’ dish; together with Chinese cloisonne enamel. Charles Brannam, Barnstable – Rare mid Victorian dated slipware pottery jar and cover, the domed cover with six spokes and button finial, the ovoid body having slipware decoration of a Wyvern, a sea serpent and a swan or similar, incised beneath Ch.

General flaking to rim of body, a few flake losses and rubs to edges of slipware decoration, some surface scuffing, kiln inclusions, glaze pops etc but no cracks or restoration. Brannam Barnstaple glazed pottery Vase, grey-ground of ovoid form with three scroll handles to the neck, impressed marks, 17in 43cm high.

Brannam History, Family Crest & Coats of Arms

Figure 1. The drain was laid between and Colonial National Historical Park.

He changed the direction of the firm and began making art pottery. Charles added’royal” to the name, and called their work Royal Brannam Ware. He says that throwing with earthenware is“like a date with a very easygoing person who.

Barnstaple pottery C. Brannam , Barum twist handled oviform green glazed Vase. Ch Brannam Barum Shaving Mug. Torquay Pottery. Lather freely shave easy. Free shipping.

About Brannam Medical Centre

Brannam, a Barum Ware pottery novelty match striker, modelled as a cat holding a cracked egg, on oval plinth, incised ‘CH Brannam, Barum’, 12cm high restorations. This will then be passed to the relevant collecting agency. Invoices will be issued in Pounds Sterling. Each time you bid on a lot covered by the ARR, you agree to pay an amount equal to the resale royalty, if you are the successful bidder. This amount will be added to your invoice.

We offer this large stylish art pottery jug by Charles Brannam modeled with a sgraffito fish design with fish spout and tail dated The large red ea Antique.

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Enable email updates A Brannam Pottery large oviform vase, by James Dewdney, modelled in high relief on the shoulders with two shells that form handles flanked by seaweed that spreads on to the body, all beneath a bright olive-green glaze, 41cm.

Charles Hubert Brannam

We deal in small antiques such as ceramics, silver, jewellery and glass, as well as pictures and books. Much of our stock is from around in date, but our focus is on things of decorative appeal and historical interest from any period. We want our customers to be delighted with anything they purchase from us.

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A team at the University of Bristol has developed a new method of dating pottery which is allowing archaeologists to date prehistoric finds from across the world with remarkable accuracy. The exciting new method, reported in detail today in the journal Nature , is now being used to date pottery from a range of key sites up to 8, years old in Britain, Europe and Africa. Archaeological pottery has been used to date archaeological sites for more than a century, and from the Roman period onwards can offer quite precise dating.

But further back in time, for example at the prehistoric sites of the earliest Neolithic farmers, accurate dating becomes more difficult because the kinds of pottery are often less distinctive and there are no coins or historical records to give context. This is where radiocarbon dating, also known as 14C-dating, comes to the rescue. Until now, archaeologists had to radiocarbon date bones or other organic materials buried with the pots to understand their age.

But the best and most accurate way to date pots would be to date them directly, which the University of Bristol team has now introduced by dating the fatty acids left behind from food preparation. He said: “Being able to directly date archaeological pots is one of the “Holy Grails” of archaeology. This new method is based on an idea I had going back more than 20 years and it is now allowing the community to better understand key archaeological sites across the world.

There’s a particular beauty in the way these new technologies came together to make this important work possible and now archaeological questions that are currently very difficult to resolve could be answered. The trick was isolating individual fat compounds from food residues, perhaps left by cooking meat or milk, protected within the pores of prehistoric cooking pots.

The team brought together the latest high resolution nuclear magnetic resonance spectroscopy and mass spectrometry technologies to design a new way of isolating the fatty acids and checking they were pure enough for accurate dating. The team then had to show that the new approach gave dates as accurate as those given by materials commonly dated in archaeology, such as bones, seeds and wood.

To do this the team looked at fat extracts from ancient pottery at a range of key sites in Britain, Europe and Africa with already precise dating which were up to 8, years old.

Aspects of Archaeology: Pottery